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Kamy
Wicoff Susan
Shapiro Barash Susan
Maushart Rachel
Safier Marg
Stark Elizabeth Freeman An academic deconstructs the wedding Eva Unger Bowditch and Aviva Samet on how to survive your mother-in-lawStephanie Rosenbaum Lisa Miya-Jervis Nancy Cott Sheryl
Nissinen -----------
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By Lori Leibovich August 2001 | Lisa Miya-Jervis and Jill Corral asked 30 women in their 20's and 30's to write essays about what marriage and partnership means in 2001. The result, "Young Wives Tales: New Adventures in Love and Partnerships," explores subjects as varied as one woman's successful three-way marriage, a meditation on the loss of privacy that results when you fall in love, and the tale of a lesbian married to a gay man. ----------- What was the impetus for writing this book? Jill and I were having a conversation about marriage, nontraditional relationships, the politics of partnership, and the lack of role models that young women have for forging relationships that fit with their feminist principles. Our generation is flying blind: some of our mothers are feminist, but they came to feminism during their partnerships, which is a completely different dynamic from Consciously constructing a feminist partnership from the ground up. Who are the women who contributed to this book? We found writers through e-mail calls for submissions, posting on listservs and bulletin boards, through contacts that we have made and editors, and also by contacting people whose work we had read and liked. We just basically cast as wide a net as possible. If you don't mind me asking, what kind of partnership (if any) are you involved in? How does it work? I am married to a man, going on three years now. I never thought I would get married, so I have finally gotten used to thinking of myself as a married person. Our partnership works so well because we are both very independent and need a lot of time alone. We understand each other's desire to go off and do things without the other. This may sound kind of strange, but my life with Christopher is very much like my life before I met him. It wasn't like we turned each other's lives upside down. The book
is filled with examples of women reinventing marriage and partnerships on
their own terms. And yet there is a $70 billion wedding industry supported
by women who want all the traditional trappings. There seems to be a huge
disconnect among young women about what they want. Agree? Disagree?
I think,
unfortunately, that our book is not all that representative. I wish there
was a more widespread critique/rejection of the wedding industry, that
there was more of a recognition that you could get married and throw a
wedding without buying into the expensive, traditional stuff. I think
you can definitely do that, but a lot of people don't even question it.
Also, that stuff is tempting Even if you don't grow up with this
fairy-tale wedding in your head, once people are offering to make you
the center of attention, even if you want to do it a different way, there's
a lot of pressure. You edit
a magazine called "Bitch: A Feminist
Response to Pop Culture." What messages do you think women receive
about marriage from the pop culture and the media? There are
still huge assumptions made about women and their girlhood fantasies.
The popular imagination is still really invested in the idea that all
five year-old girls are obsessed with being brides. There are dress-up
sets at Toys 'R Us for it. There are still plenty of ways the media finds
to make you feel freaky and weird if you don't have the "normal" desires,
and sadly the desire for a big huge white wedding that's supposed to be
"the happiest day of your life" is still seen as the sine qua non of femininity
in some ways. Take the TV show "Friends" as an example. If it wasn't a
given that all women want to get married in a big expensive over-planned
ceremony, entire segments of the show (including the bulk of last season)
would not have been able to be written. Are there
any ways in which the pop culture /media has responded to new interpretations
of marriage? I think the
media is really stuck in the past as far as weddings and marriage goes.
There's nothing I've seen that resonates with how I feel as a married
person or how I want my marriage to be. I identify way more with single
characters on TV, in movies, etc. (To the extent that I identify at all,
'cause admittedly most of that stuff is so fake it's impossible to identify
with it). The wedding
industry creates its own media, too, of course, and since it's all geared
toward selling wedding products it's really powerful propaganda. A good
analysis of this is in Jacklyn Geller's "Here
Comes the Bride" (Four Walls Eight Windows) which is an excellent
read (though I disagree with a lot of what she says, because she does
not believe it's possible to transform marriage at all, which clearly
I don't think or I would not have gotten married). Do you
think you can be a feminist andwear a poufy white dress, be given
away by your father, throw the bouquet at your single friends, and change
your last name? I really
don't want to get into judging who's a "real" feminist, especially since
I feel a goal of the feminist movement should be to be as inclusive as
possible. Sometimes talk about changing details of the wedding ceremony
can displace serious consideration of the ways in which marriage itself
needs to be changed. There's an essay in our book that makes the very
important point that refiguring the traditions of the ceremony does not
necessarily change anything about the way the relationship works. So while
reworking those details is important to remake marriage as something that
can be feminist, it's really the smallest part of the equation. Furthermore,
any feminist getting married has to admit that there is a bow to
tradition taking place here, that there are serious issues to be reconciled
between being feminist and choosing to be a part of marriage as an institution.
That said, I'm not going to say that if you do those things you can't
ever be a feminist, but I don't think anyone who has given serious thought
to wedding traditions from a feminist perspective would, in the end, make
those very traditional choices. Certainly not all of them, anyway. Can you
specifically discuss your feelings about the traditions I mentioned? The dress
I think is the least important of all the traditions you mention. Sure,
the symbolism of the white dress (virginity, purity, all that hoo-ha)
is disturbing, but it can be worn without giving in to that. The question
of who a bride walks down the aisle with is so emotionally fraught. I
would love to see more women considering possibilities other than their
fathers or even both their parents. How about your friends? Or how about
walking alone? Bouquet-throwing is appalling, embarrassing, and insulting,
and there is nothing to redeem it. It flat-out assumes that the goal of
every unmarried woman is to get married ASAP, and there's really nothing
more off base and unfeminist as that assumption. Unlike all
these other things, the name issue actually matters beyond the day of
the ceremony, and affects your life in little ways (are you going to have
to get used to introducing yourself differently?) and huge ones (if you
are going to have kids, whose name will they take?). As far as the question
of can you be feminist while taking a man's name, I actually think it's
kind of moot, because how many people who identify as feminist make that
choice? Very, very few. I was willing
to change my name, but not if my husband didn't also change his. I felt
that in choosing to get married I was undergoing a change, and having
that change reflected externally was a good thing-- and especially since
my husband and I do not plan to have kids, I wanted us to share the same
name as a gesture toward constructing the two of us as a family. I explained
all of this to my man, and one night over dinner he announced that he
was taking my name. ----------- Lisa Miya-Jervis
is the co-editor with Jill Corral of "Young
Wives' Tales: New Adventures in Love and Partnership." (Seal Press)
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